Saturday, November 12, 2011

The secret is out! Star Trek The Next Generation Digitally Remastered!


The secret is out! This is one of the exciting projects I worked on this summer! http://www.startrek.com/article/the-next-generation-blu-rays-launch-in-2012

I had the honor of compositing visual effects for the digital remastering of Star Trek The Next Generation at CBS Digital. For the upcoming release, we did the pilot episode and several others. Eventually CBS will release all the episodes on Blu-Ray.

Thank you to CBSD for including me on such a historic venture. It was a great project with a top notch team!

Tuesday, June 28, 2011

Silver Lion @ 'Cannes International Festival of Creativity for Mini Flow Spot!

I just found out that the commercial,
“Mini Countryman Flow” that I did Compositing on at Sway Studios won a Silver Lion at 'The Cannes International Festival of Creativity' for Film Craft.
Festival Details here
Type of Entry:Film Craft
Category:Special Effects & Computer Graphics
Title:MINI COUNTRYMAN FLOW
Advertiser/Client:MINI WORLDWIDE
Product/Service:MINI COUNTRYMAN
Entrant Company:BSUR Amsterdam, THE NETHERLANDS
Advertising Agency:BSUR Amsterdam, THE NETHERLANDS

Post Production:Sway Studio
Special Effects/Computer Graphics:SWAY Studios

Saturday, June 18, 2011

X-Men: First Class, Visual Effects @ Digital Domain: First Rate

Digital Domain delivers infinity in the mirror room sequence and headquarters destruction scene. The collaboration was a once in a lifetime opportunity to work on a truly great movie. I grew up with the X-Men, reading the comics, learning to draw the characters and watching them come to life with amazement in cartoons and movies my whole life. I have also wanted to work at DD since I was at SCAD. Here's a movie review and links of interest.

http://www.rottentomatoes.com/m/x_men_first_class/

Kevin Bacon, Shaw, destroys an atrium, an environment augmented by DD with fully CG explosions, debris and fire. “Our atrium explosions were led by effects animation supervisor Brian Gazdik,” says Kalaitzidis. “We used Houdini to break things and add fire on top of that. It included desks, and ceilings and windows and even typewriters on the desks. In the past we’d use real pyro elements but I felt like this was one of the shows where we didn’t need to do that for CG fire. And not only did we have CG fire but all the characters shooting at Shaw from the top of the atrium were all CG and mo-capped.”

http://www.fxguide.com/featured/making-mutants-for-x-men-first-class/


After attempting to draw the nuclear power of the submarine, Shaw is confronted by Lensherr in a ‘mirror room’, an environment shot completely against greenscreen. Once filmed, DD assembled some rough post-viz to help establish the key beats and rudimentary, but multiple, reflections. “That was approved by John Dykstra and then we came up with a look-dev for the mirror room,” says Kalaitzidis. “We used reference from Enter the Dragon with Bruce Lee, in the mirror maze. That showed the imperfections and the hues and mutual density that we needed to add in.”

Witness-cam footage of Shaw and Lensherr, again, was used to copy their performances via roto-mation. “Using this animation,” explains Kalaitzidis, “we reflected CG doubles into the mirrors themselves. They’re fighting each other and there’s breaking glass which was done with Maya and Houdini, and then composited in Nuke.”

Thursday, January 20, 2011

Visual Effects for Pandemic

2011 Sundance Film Festival, Official Selection: "Pandemic"


Lance Weiler, Co-Director of "The Last Broadcast" and Director of "Head Trauma" has his latest short film in this years Sundance Film Festival in Park City, Utah. I was asked to create visual effects for the film and worked on around 30 shots for "Pandemic"

An article on Wired.com goes into more detail here.


Watch the Short Film right here:



Wednesday, September 1, 2010

The Mini Countryman "Flow" commercial



@ Sway Studio, Culver City to create photo-real C.G. cars invading Milan.
This new Mini has 4 doors, is 4 wheel drive. The commercial was filmed on super 35 mm in Milan, Italy.
Super trivia fact: The Sway Studio Mini Flow team grew mustaches to show their team spirit, much to the concern of the client and significant others.

"This week MINI is debuting the European TV spot “Flow” for the launch of the Countryman" according to motoringfile.com.
Here are some articles about the commercial, and links of interest.

http://www.motoringfile.com/2010/09/01/mini-launches-new-countryman-tv-spot/

http://www.motorward.com/2010/09/video-mini-countryman-flow-commercial/

http://www.autoevolution.com/news/mini-launches-countryman-innovative-tv-spot-flow-24017.html

Wednesday, June 16, 2010

Katy Perry's California Gurls music video

Katy Perry has a new album and she has teamed up with photographer/ artist Will Cotton to create the cover art, and the look of this new video.

I was invited back to Motion Theory to complete the video. This entailed compositing green screen elements of Katy Perry and dancers into beach scenes, candy cane forests, and other Will Cotton/ Candyland inspired landscapes.

This job meant separating foreground characters from their green screens on over two hundred shots. Characters interact with a variety of imaginary creatures from angry gummy bears, a nasty gingerbread man, and candy cane snakes among others.
Here's a teaser for the video, because the video, on youtube has the embed function disabled. So if you want to see the full video, you must watch it on youtube, here.
http://www.youtube.com/watch?v=CwE-SLnLkqY&NR=1



Here's some behind the scenes footage from the set.



And of course, to see some of my shots from the video in the context of my reel, go to www.ScottHaleMedia.com

Saturday, May 15, 2010

Lexus Dark Ride: New Hybrid CT200h


Lexus Dark Ride: New Hybrid CT200h! Lexus released a 12 minute choose your own adventure short film. This is a shorter edited version. This job was about compositing a CG car into live action plates. The snag was most plates had the stand in Matrix car, sometimes with a large POV camera mounted to the frame, where the hood would be. These all needed to be removed on a per shot basis. The Lexus car was slightly smaller than the Martix so there was significant areas around the Lexus that needed to be painted clean. The car then needed to be dialed in to match the plate. All shot at night, so the headlights and taillights needed to match other vehicles.

You can experience the choose your own adventure film "Dark Ride" here.
Be advised, a fast computer and a fast connection will make or break the interactive experience.